Nettie Moore
It sounds like the main lead guitar might play with a capo on the 6th fret, but it might as well be played uncapoed; these are all standard blues licks that any decent guitarist should be able to play anywhere on the neck.
[Intro, guitar in open G:] D A . : . . . : . . . : . . . : . . . -0-0-0-|-5-5-5-5-5-5-5-5-|-5-5-5\0-3-------|-----------------|-----------------| -------|-----------------|-------------3---|-3\--------------|---------3-------| -------|-----------------|-----------------|-3\--0---3-----0-|-----0---3---0-0-| -------|-----------------|-----------------|-----------------|-3---------------| -------|-----------------|-----------------|-----------------|-----------------|
A E A E | D A D E | A . . . | D . F . | A . F#m7 . | Bm7 . E . | A . F#m7 . | Bm7 .
E A Spirit on the water D *) A Darkness on the face of the deep D F A F#m7 I keep thinking 'bout you, baby, Bm E A . F#m7 . Bm7 And I can't hardly sleep.
. E . A I'm travelling by land D A Travelling through the dawn of the day D F A F#m7 You're always on my mind
C/g G : : |--------------------------------------3------|-3-----3-----------------------------------| |---------------------------------------------|-0-------6-3-------------------------------| |-------3-5------3-5---3-5---3-5---3-5--------|-0-----------5b7-5-3h5---5p3---3-h4--------| |-----5--------------5-----5-----5------------|-0---------------------------5-------------| |---------------------------------------------|-2-----------------------------------------|
Recorded during The Basement sessions (summer 1967)
Released in a live version from the Isle of Wight festival (1969) on Self Portrait (1970) and on Greatest Hits vol. 2 (1971). Original basement version released on Biograph (1985)
Tabbed by Eyolf Østrem